Turns Out You Can Teach An Old Dog…

Meet the next Martha Stewart: my dad.

Leaping Lizards Pottery Studio

A year ago I dragged my father (not by the hair, of course, because that would be wrong, or so I’m told – and also because he is a bit sparse on top) to a little art studio near The Villages in Florida where he lives, called Leaping Lizards Pottery.

Little did he know he was about to blossom into an artisté (had I thought ahead, I would have brought a pencil thin mustache to stick on his lip). He erroneously assumed we were on our way to yet another doctor’s appointment. Yeah, he would have preferred to be poked with needles. But it was time to include him in the tradition of making a snowman ornament to gift at Christmas. You know what they say, “The best time to plant a tree was twenty years ago. The second best time is now.”

Our expertise working with clay almost exactly matched our expertise playing professional baseball. To say that neither of us had experience working with clay is an understatement, like saying Hollywood dabbles in sleaze. It didn’t take long, however, to get into the swing of things (the clay, not the sleaze – that took a tiny bit longer).

Jennifer Beville, the artist/proprietor of the studio, adopted the patience of a master ninja and the enthusiasm of Richard Simmons (without the leotard) and guided us through the treacherous waters that is clay making (for those of you on the edge of your seats, rest assured, no one was hurt).

Over the course of two sessions my dad’s work improved dramatically. You can see the progress below (from left to right).

Six months later, we went back for another session. Although the results weren’t quite as impressive, we shared time together and made a few memories. And that, my friends, is what life is all about (that, and sleaze, obviously).

Our experience with clay, by the way, was the catalyst for the Twelve Days of Christmas.

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Tim Bjella

Principal architect and interior designer for Arteriors / Bjella Architecture.

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